It also lets you view prospective source material in Premiere Pro’s Source Monitor before actually importing the file into the project.Īnd by allowing you to sift the items it lists by file type, it makes finding the footage you want even easier. The file types you can now import into Premiere Pro CS4 include a wider array of tapeless formats, including P2, AVCHD, XDCAM EX, and XDCAM HD. And Premiere Pro CS4 not only supports the media, but its metadata, as well. Along with the video and audio, Premiere Pro recognizes additional shot information encoded in the file, making it easy to organize and search the footage without intermediate steps.Įnhanced support for metadata is one of Premiere Pro CS4’s most prominent new features. A new Metadata panel lets you view and input information about a clip or its source file. The Project panel’s column headings have become just one set of information in an extensive list of metadata categories, or schema. The Rights Management schema, for instance, includes data fields for storing and tracking copyright information. Moreover, metadata can be conveyed throughout the workflow: Metadata logged in OnLocation is transferred to Premiere Pro, and a file exported for the Web can contain metadata that enables you to search the video. Premiere Pro CS4 incorporates a new Media Browser panel (at the bottom left) for locating, previewing, and importing footage.

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